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Extension

Marble Bath

Paper marbling on a virtual water bath.

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Marble Bath overview Extension 4 items #

Paper marbling on a virtual water bath.

The centuries-old art of Ebru and Suminagashi, with its exact mathematics instead of a simulation: every drop and every pull of a comb is one move in the bath's history, and the picture is computed from that history - razor sharp at any export size, with every move undoable.

You marble by hand on the canvas in the middle: click to drop ink, hold to let the drop grow, drag a tool through the water. The classic patterns sit on the left as seeded starting points.

Insert

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Renders the bath at export size and lands it as a re-editable generator layer: reopen it any time and the full history is still there.

Undo last move

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Forgets exactly the newest move - one gesture, however many drops it laid: a whole flower or a whole splatter flick lifts out with one press.

Empty the bath

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Starts over. The button asks by arming once (it turns red); a second press within a moment empties the bath.

Sprinkle drops

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Scatters a seeded handful of small drops in your inks across the bath.

The tools Extension 10 items #

Five ways to touch the water.

Each tool is one gesture on the bath. The pull length of a stroke is its force.

Ink drop

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Click to drop ink; every earlier drop yields and is pushed into rings. Hold to let the drop grow, drag to scatter a trail of drops. Repeated drops on the same spot make the classic bullseye.

Rings

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Drops several alternating-ink drops in one click - the traditional concentric start for flowers and curls.

Needle

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A single stylus line: ink shears along your stroke, decaying with distance. Softness sets how wide the pull reaches.

Comb

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A whole rake of parallel tines at once - the tool behind nonpareil and every feathered pattern. Tooth spacing sets the rhythm.

Wave

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Sways the whole bath sideways along your drag direction - chevrons and bouquets are made of this.

Curl

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Plants a vortex: drag right to wind clockwise, left for the other way. The colors wind around the centre and fade out at the curl radius.

Flower

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Plants a whole Ebru flower - tulip, carnation or daisy - with one click: rings pulled into petals by needle strokes, a leafy stem of chained drops beneath. Drag before releasing to turn the flower and set its size. One move in the history, one undo.

Arc

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A curved needle: ink shears along a circle around the point you pressed, fading away from the arc line. Drag out to the radius; dragging right pulls clockwise.

Ring comb

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A whole comb bent into concentric circles - nonpareil in the round, for medallions. Tooth spacing sets the ring rhythm.

Splatter

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The flick of the brush: a fast drag sprays a fan of tiny droplets along the stroke - the speckled finish of classic sheets. Works with the gall too.

Patterns Extension 7 items #

The classic repertoire as seeded starting points.

Every pattern is built over YOUR current inks and stays fully combable afterwards. The dice re-marble the chosen pattern with a new seed.

Stone

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The uncombed bath: layers of drops pressing each other into organic stones.

Gel-git

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Stones pulled back and forth with a coarse comb - the dramatic flame zigzag every other pattern builds on.

Nonpareil

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Gel-git pulled through a fine comb: the tight, even bows of classic endpaper.

Chevron

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Nonpareil with a crosswise sway of exactly two tooth spacings - neighbouring rows shift against each other into herringbone arrows.

Bouquet

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A wide comb pulled in an S - flowing flame bands that read as petals.

French curls

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A grid of alternating vortices winds the combed bath into curls.

Peacock

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Comb, sway and a gentle counter-comb: the feathered fans of the showpiece pattern.

Inks and water Extension 7 items #

Five wells and the bath itself.

Ink colors are stored as WELL references: recolor a well (or load brand colors) and the finished marbling recolors with it.

Inks

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Five wells; the active one is what the drop tool drops. Click a well to make it active, edit its color with the editor's own picker.

Use brand colors

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Loads your brand kit into the wells - unique marbled art in your own colors instead of stock backgrounds.

Water color

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The bath showing between the inks.

Clear water (transparent)

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The bath becomes transparent: only the marbled veins remain, ready to lie over your design as an overlay.

Gall (clear drop)

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The sixth well drops ox gall instead of ink: it displaces every color exactly like a drop, but what it leaves behind is water - open cells in the pattern, or windows onto your design when the water is clear.

Pigment

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Makes the ink behave like real pigment: a darker rim gathers at every drop's edge and faint clouds drift inside it. Both live in the drop's own pre-image, so they stretch with the combing exactly - which is what real pigment does.

Paper grain

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A faint paper tooth over the finished sheet.

Film Extension 3 items #

The bath in motion, as WebM.

Two motions: the making itself, or the finished picture on gently moving water.

The making, replayed

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Plays the history: drops patter in and bloom, strokes sweep through - the film of how your marbling came to be.

Living water loop

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The finished bath sways on two gentle crossed waves, returning to its start - one seamless loop.

Preview

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Plays the chosen motion once in the studio, without recording.